No audience member gets to follow all the stories since the action is simultaneous, involving different characters in different rooms and on different floors.At the play, each audience member receives a "passport" to return again and again to try to figure out more of the many intertwined networks of stories.
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Subsequent sections address storytelling organizational theory, analyses of official accounts of Disney enterprises, and less well-known, even contrary, accounts.
The implications for postmodern theory and future storytelling research projects are discussed. Walt Disney enterprises is a storytelling organization par excellence.
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As they completed their scene, they each wandered off into different rooms, leaving the audience, myself included, to choose whom to follow.
As I decided which characters to follow, I experienced a very different set of stories than someone following another sequence of characters.
A postmodern analysis of these multiple discourses reveals the marginalized voices and excluded stories of darker side of the Disney legend.
Tamara, a play that is also a discursive metaphor, is used to demonstrate a plurivocal (multiple story interpretation) theory of competing organizational discourses.
Comments Euro Disney From Dream To Nightmare Case Study Analysis
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