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No audience member gets to follow all the stories since the action is simultaneous, involving different characters in different rooms and on different floors.At the play, each audience member receives a "passport" to return again and again to try to figure out more of the many intertwined networks of stories.
Subsequent sections address storytelling organizational theory, analyses of official accounts of Disney enterprises, and less well-known, even contrary, accounts.
The implications for postmodern theory and future storytelling research projects are discussed. Walt Disney enterprises is a storytelling organization par excellence.
As they completed their scene, they each wandered off into different rooms, leaving the audience, myself included, to choose whom to follow.
As I decided which characters to follow, I experienced a very different set of stories than someone following another sequence of characters.
A postmodern analysis of these multiple discourses reveals the marginalized voices and excluded stories of darker side of the Disney legend.
Tamara, a play that is also a discursive metaphor, is used to demonstrate a plurivocal (multiple story interpretation) theory of competing organizational discourses.