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Louis Armstrong spent the final ten years of his life in the same way that he lived his present four years. In 1971 he died of a fatal heart attack in New York City.The history of jazz is covered with very important people that listened to his music.The late fifties brought with them the civil rights movement, and many blacks saw Armstrong as a very important person of music, playing for primarily white audiences around the world.
His Hot Five and Hot Seven group recordings for the Okelt records label between 19.
They were the greatest that the label had accomplished in music to that point of time.
Louis Armstrong, arguably the greatest entertainer, and trumpet player during the renaissance era.
Louis Armstrong was inspired by people such as Joe the king Oliver, Lil Hardin, and Peter Davis.
more Doctoral dissertation, University of Pittsburgh, 2005In exploring the semiotics of vocal timbre as a general phenomenon within music, theoretical engagement of the history of timbre and of musical meaning bolsters my illustrative analyses of Laurie Anderson and Louis Armstrong.
I outline first its reliance on subtractive filtering imparted physically by the performer’s vocal tract, demonstrating that its signification is itself a subtractive process where meaning lies in the silent space between spectral formants.
His voice became, almost instantly and globally recognized of jazz itself just because it was so good.
His 1956 recording with Ella Fitzgerald of George Gershwin’s Porgy and Bess was one of the most popular and best loved duets of the 1950s.
What at first appears to be just another collage dedicated to a concert location, upon closer inspection is rather remarkable.
Jazz bassist and historian Matthias Heyman will detail the visual codes embedded in the collage – and use it as a lens on the jazz community in 20th century Belgium.